Reviews
Organizing home printmaking projects
Organize home printmaking projects by keeping the matrix, negatives, proofs, records, and marked archive copy together, then label and review the box.
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Reviews
Reviews
A no-marketing buying guide to home printmaking kits and courses
A bench-first guide to named relief, cyanotype and screen kits, what each one actually contains, and how to judge a printmaking course before you pay.
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Anthotype Exposure Tracking: UV Dose for Plant Pigment Prints
Log sunlight minutes and UV index for each anthotype session, turn them into a UV dose, and compare plant pigment prints across weeks and seasons.
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Anthotype Pigment Testing: A Logbook Method for Comparing Plant Exposures
Build a repeatable anthotype logbook: coat test strips, score fade against a fixed patch, and compare plant pigments side by side before you coat a full print.
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Anthotype Prints Without Spinach: Testing Everyday Plant Pigments at Home
Testing beet, turmeric, berry and petal emulsions against spinach, with fade rates, a one-day test and coating tips for anthotype prints at home.
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Vinyl Stencil Screen Printing on Fabric: A Beginner's First Project
A first-timer's route through vinyl stencil screen printing on fabric: choosing stencil vinyl, weeding, sticking it to mesh, picking fabric ink and curing it.
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Printmaking inks and paper: how to judge labels and sizing
Printmaking inks and paper: learn how to judge sizing with a water drop test, test sample packs properly, and tell defined label words from marketing.
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4 parts of printmaking inks and paper, explained
A review framework for printmaking inks and papers: which specifications actually differ, what the labels are required to tell you, and what to test yourself.
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Shared print studio benches: choosing surfaces that survive other people
How to pick surfaces for shared print studio benches, label each bench by purpose and cleaning rule, and handle composite panel formaldehyde risk.
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How to choose materials for independent print studios
How independent print studios standardize inks, papers and cleanup, read the labeling rules that carry legal weight, and check used furniture for lead paint.
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Paperwork for independent print studios
A practical document kit for independent print studios, with printmaking processes, safety rules, waste records, and emergency-plan requirements.
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Used Printing Press Market in Canada: Local Channels
Used printing press market in Canada: local classifieds and studio networks in Halifax, Winnipeg and Saskatoon, plus inspection checks and moving advice.
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Oil vs. Water Stones for Linocut Gouges: Which Cuts Better at Home?
Oil vs water stones linocut gouges compared for US home carvers: Norton India, water stones and hard Arkansas, with ranges and humid-climate storage.
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Printmaking mistakes: what to keep, isolate, and discard
Printmaking mistakes leave rejects and contaminated materials. Learn what to keep, what to isolate, how to handle spent solvents, and when to discard.
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Printmaking mistakes worth avoiding early
Fault-finding tools compared for first-time buyers: loupes, raking lamps, step wedges, moisture meters and pH pens compared for diagnosing print faults.
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Sequence your cyanotype purchases so the essentials come first
The buying order for a first cyanotype setup, why premixed chemistry beats raw powders at the start, and the equipment not to buy at any stage.
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What beginner printing presses need: kit and checks
The core kit for beginner printing presses, from blankets and packing card to feeler gauges, plus the setup checks that keep impressions even.
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Fitting out a printmaking workspace: what to buy before the first tool arrives
Beginner kit for fitting out a printmaking workspace in 2027: the equipment a print room needs before any hand tools arrive, drying, containment, washing.
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Work surfaces compared for a beginner printing press setup
Choosing and arranging the surfaces around a press: the stand it sits on, the feed and receive tables, and the clean bench a damp sheet needs.
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Printmaking workspace surfaces: solvent resistance versus flatness
Best work surfaces for a printmaking workspace: comparing bench tops for a print room on solvent resistance, flatness, repairability and cost.
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Beginner printing presses: first principles
The four press families a beginner actually chooses between, the five specifications that decide fit, and how to judge guarding on a secondhand machine.
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Home printmaking, tested against experience
Gouges, brayers, barens and bench hooks compared on the details that matter to a first-time buyer, with the marketing claims that mean nothing.
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Printing press materials: blankets, plates and paper explained
How to choose materials: choosing blankets, packing, plates and papers for a studio press, plus the lead and solvent hazards that arrive with secondhand letterpress.
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Sealing, shelving and containment: choosing printmaking workspace materials
How to choose: choosing floor seals, shelving, containment and consumables for a print room, plus how to read waste rules and green marketing claims accurately.
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Home printmaking: storing materials and prints
Home printmaking storage: caring for paper, enclosures, ink, blocks, tools, solvents, and finished prints in a household studio.
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Printmaking Supplies: Date Labels and Stock Rotation
A practical routine for printmaking supplies: mark received and opened dates, rotate older stock forward, store film flat, and keep spent baths separate.
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Scales versus timers: printmaking measuring tools compared
Scales and timers compared for printmaking: which named models suit first-time buyers, what each measures, and where the money is best spent.
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Get the linocut buying order right before your first cut in 2027
A buying order for relief printing, what a starter kit leaves out, and how to read sale pricing and tool condition claims without overpaying.