Industry
4 points worth checking on home printmaking projects
Four checks that decide whether a home printmaking project holds up: time split, fault clustering, material shelf life and the rights on every source image.
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Industry
Industry
Independent print studios: what to settle before you sign
Before you sign, join or take a commission at independent print studios: who owns the work, the admin hours, membership terms and renewal deadlines.
Industry
Do WorkSafeBC and Alberta OHS rules apply to a home print studio?
Printmaking studio safety rules Canada: when WorkSafeBC or Alberta OHS duties start in a home studio, plus ventilation, solvent storage and UV limits.
Industry
A quarterly watchlist of six items for member run print studios
Six watchlist items for member run print studios, covering waste, insurance, premises, shared equipment, membership economics and rights policy, and review dates.
Industry
What to look for in a cyanotype process class
Use this cyanotype process class checklist to verify chemistry, safety data, wastewater rules, handouts, reference prints, and course format before booking.
Industry
Cyanotype process: negatives, toning and limited editions
A practical cyanotype process guide: making digital negatives, toning with tannins, and signing and numbering a limited edition, with the U.S. copyright rules.
Industry
What a printmaking press costs to buy, move, site and run
A practical breakdown of what a printmaking press costs to buy, move, site and run, with figures for rigging, blankets, servicing, ink, paper and studio time.
Industry
5 lessons worth learning about linocut project ideas
How independent relief printmakers choose projects, build a recognizable body of work, and handle the naming and rights questions that come with selling.
Industry
Judging a linocut class: where project ideas fit
A checklist for a linocut class or open-access studio: induction, safety, waste handling, tutor questions, and where your linocut project ideas fit.
Industry
Layout lessons: what a printmaking workspace looks like after year one
The changes experienced printmakers say they made after their first year in a room, from waste routines to the shelf they wish they had never built.